Mother's Day by Alison Blake

After Alice Neel, Nancy and Olivia

Today I’ve been thinking about hugs from my mother
and whether she still likes giving them to me.

There must’ve been a time when I fit right between
and inside her caved but never stony shoulders.

A time when I could perch on her lap,
right angle nestled atop another right angle,

or be lifted and swaddled in so tight and warm
exactly where she could feel our heartbeats sync up

that my temple would meet her jaw, her cheeks
and she wouldn’t have to worry about my hair,

how it could get caught between her lips
or scratch her skin, it was that short and soft.

It’s the second Sunday of May,
so I’m looking through photos from 2003

that confirm my suspicion because I really was that small
and looked a little like a custom baby doll in her arms,

I fit so ridiculously well. But there’s nothing manufactured
about the way our twin blue eyes accuse the photographer—

probably my father—of tearing the chrysalis even just a crack
for a photo op. Between frames I watch her raise her shoulders even higher

and her chin, too, to tuck my scratch-proof scalp under it and shield me
from the lasers she must’ve believed Dad’s Kodak to be blasting

plus whatever other perils our first apartment, the space beyond her squeeze,
had in store. A click later and she’s grinning while I’m roaring teethless,

I could throw a tantrum that fast. It’s as if I wanted to retaliate at the interruption
of the hugs I so loved, loved the way they proved I belonged to her alone

and made me feel safe and tight and warm and insulated
from the camera and apartment and everything else I didn’t have the words for yet.

I start wishing that my fun-sized, cradled self
had pinned down and memorized that feeling so I could glimpse it

like she must when she hugs me now
and has to make sure our twin foreheads don’t collide.

My hair is longer and more coarse than hers now,
my eyes have turned grey, and my arms can wrap around all of her

and not just her elbow. When I sit I cross my own legs,
and even though she always scolds at me to fix my posture

I hunch and tense my shoulders all day long,
carving out my own cave. Muscle memorized, at least,

her shelter stays with me. I hope she doesn’t mourn when she hugs me
now, but today and Dad’s photos make me understand it if she does,

if she misses when I belonged to her embrace only
and still fit just right inside of it. The next time I see her I’ll hug her,

of course, but I’ll make sure to relax my shoulders,
to let hers take charge and welcome me back home.

Imperfect Imitation of Something Familiar by Amalia Neff

I lay on your chest and you’re
warm and smell like beer.

My Dad on our
child-worn couch
is watching football.
It’s Sunday evening

and you make hand puppets
in the shadow of your
orange lamp against
the wall.

Distorted shapes dance from
those lacey fingers,
morphed like monsters that might
eat me from under my bed.

Cover my nose
with your warm shaky breath. It’s
time to go, I’m flushed and fuzzy and
you kiss my forehead goodnight.

My back is cold, no longer
leaned against you, hunched
I pull long blue-lined sock-puppets over
white shins that look like my mothers,

I can smell her 15 years ago,
Secret deodorant and St Tropez.

Please, I don’t wanna leave
the sweet worn arm-crook of
her black-and-white striped tee,
but it’s time to go, pumpkin.

The world has gone dark and
in the distance a car alarm goes off.

Going Home by Brooke Nind

I. New Hampshire, Fall
I return breathless. The leaves are already turning,
their corners folding up and crinkling away.
I also feel like I’m in free fall.
There are 5,000 miles on my car odometer
that weren’t there before, but now I am back here.
Driving with California plates in New Hampshire
makes me more hesitant to speed.
If I go slower, I’ll have more time
to glance at the trees, their sharp greens blending
into murky golds and reds.
The people here will always rotate.
I feel like I’m watching my life happen from faraway,
the slow drizzle of maple syrup onto pancakes,
another sunset watched through a window
as darkness creeps up faster.

II. California, Late Summer
Home is a museum with rotating exhibits.
Everything feels brighter through the glare of a glass barrier.
I drive my best friend from place
to place, referencing street names she won’t remember.
I sleep in a large bed with a thick mattress
and sleep the worst I have in months.
Maybe it’s the heat, and the way it disappears
in the middle of the night. I wake up with cold feet
and burrow deeper into the blankets, think about leaving
again. I cry for hours and run up to the park
because it is the only place to run.
I think of every time the plane has touched down here,
I feel both relief and my stomach sinking.
I always know I will return but I never know when.
I sit at the dinner table with my knees up
and listen to my parents, think a bit more.

III. Washington, DC, Early Summer
I have been here before and even after thinking more,
I believe I will be back here again.
I walk almost everywhere alone—to work,
to cafes, to the gym, to museums, across town,
often with my head down. This was not always the case.
I walk loops around the monuments every night
until all the white marble and limestone is no longer
intimidating. I just need to keep moving.
There is not much to say and that is how I know
the chapter is unfinished.

the splinter by Francesco Severino

quarter the size of a fingernail
hurt like a sword four times as big as he
had sliced him in two
red guts all over the grass
but the only color was the pinkish-glow
of his heel, and the orange fluorescence around
the hearth

can you walk?
he waddled like a penguin on marijuana
and answered my question without a word

then i remembered!
a pouch i packed last night
the color of Red Vines
and a big white plus stretched over the front

but as i searched its contents
my smug grin flipped upside-down
i pulled out everything,
an old Macintosh 128K
an ace of clubs with the left corner missing
a small piece of Simon’s frankincense (that we
burned)
a broken shark’s tooth
a balloon inflated with flatulence
a snowglobe with a miniature panopticon
inside
a brain (species unclear)

i pulled
a ceramic urn with a chimera drawn on the side
a pair of wavy scissors
that only made the splinter shorter–

so i pulled out a 5th grade poster of
photosynthesis
a chicken leg!
a used bandaid (ew, why is that in there)
a barely used tube of neosporin (oh that’s why)

i pulled out the moon
a bag of chili lime beef jerky
a scottish flag but not the current one
and a purple hacky sack.

i pulled out everything
everything but a pair of tweezers.

Bright Fragrant Day by Hugh Neill

It was a bright fragrant day when we came across a shallow wide
pond in the woods. Old conifers lilting their low thick branches over its flat surface.
Weird things of bone, things broken and bent back upon themselves, rested
in the flats of the pond. The huge ribcage of a whale, its base submerged.
Like artifacts of some Melvillian nightmare. Shining bright in the sun.
My sister, my dog, and I observed these objects from the soft shore.
I took photos. Movement disturbed the still shallows. A hammerhead shark cruised
in the flats, poorly invisible, its translucent rubber-flesh revealing its bones underneath.
My dog waded into the flats, and the shark cracked onto her front leg. Yikes! I sprinted in,
splashing through in big steps, my sister screaming, the shark and dog thrashing.
When I got to my dog she had shaken free, and the shark had taken her front leg to her elbow.
It cruised off like the glitching little snake it was. I picked up my dog and held her
against my chest, her wet fur and blood staining my t shirt. I felt resigned
to this new future. Three-legged dog. Huh.

The photos I took of this place showed nothing. Blurred grey screens.
As if this reality consisted of a medium that cameras could not capture.
A different sort of light. Which faded away like bits of ash on a burning log,
shaking, tremoring, before peeling off, drifting up.

The Translator by Kay Alvito

Take
A shovel with both hands
Dig
Until its sharp tip scrapes a tectonic plate
Bury
That weightless body
Watch
Rhyme and meter
Symbols and grammar
Find
Their way in the hard earth

Take
The soil of a familiar place
Its worms and fallen
Pollen and seeds, a couple bones
An array of this new world
Throw
It in the opening
Pat
It all down

Take
A breath, then
A watercan
Feed
It every day until
A jagged stick of green grows
Let it.

resolution #1: this and every morning, I will try something new by Olivia Cao

I wake up and the piercing / light of dawn drives an arrowhead
through my eye / I shy away from the sun / and its blond-haired
violence / still, I made a new year’s resolution / and I’m big on keeping
promises so I’d better make good on this one / take the ten-minute
detour down the hill / substitute the chocolate croissant with a morning
bun / the citrus on my breath leaks warmth into the wind / I pretend I’m
a dragon with smoker’s lungs / the way my brother pretends to control
the weather / he claims tomorrow will be the perfect fake-spring / called
me to say I can leave my brother at home / how to describe the art of
optimism / the act of it like sinking teeth / into the sun and hoping for
sugar / this morning / I am growing stars on my skin / like glittering
crosshairs and trying to imagine they are glowing / I go to war on
Monday mornings / workouts where the Lululemon-wearing lady asks
me to smell the roses / over the sound of my muscles ripping
themselves apart / optimism / I am learning / is a little like this all the
time / where I macerate my days in their own sweat-salted acid / in
order to grow them back again / but sweeter

the morning after by Olivia Cao

After Role Model, “Sally When the Wine Runs Out”

I’ve been searching this room, while you sink
the mattress in snoring delirium, for the right words

to describe last night’s disco, how the club lights,
usually gaudy, tacky plastic became craft paper coronets

or fluorescent foo fighters crowning the winners of a teenage
bacchanal, the stoplights made aesthetic in thickened haze

while you used the asphalt to perform a crosswalk grapevine that
did soft things to my chest and kicked my feet into dancing shoes

I had forgotten I owned. The vintner I met in Napa last summer spent three hours
explaining wine maturation, how the wood stabilizes it into vibrance, richer aftertaste

and so now, I am imagining my studio apartment wrapped in your home-grown oak,
Daphne-and-Apollo-style. In this liminal space between poppy-rimmed eyes

and morning glory, I can imagine it all: like cabernet, you’ll get better with age,
red wine giving way to a softer mouthfeel. The cheap boxed wine will stay the same

except it’ll be kept in small fridges with controlled temperature settings
instead of makeshift garage coolers. You’ll smile around the rim of a glass.

This wine and this life and I will measure up to some standard of lover-boy
that will be good enough to confidently call your own.

When the morning shatters the windowpane in coils of diffused light,
drive your legs deeper into the linen lacework of bedsheets

Peel the hair from between your sauvignon-soaked lips
Tell me that you’ll stay forever

Enemy Pie by Scott Sorensen

After Derek Munson

I bake a pie for every enemy I ever make.
I pick the cherries with my friends
and have them help me with the filling.
Though companions flit in and out of my life,
I take them to the same cherry orchard every time.
I criss-cross dough strips myself,
thinking through conflicts as my fingers flick and tug,
then put the pie in the oven.
By the time it emerges,
I’m ready to talk.
I bring the pie to my enemies’ doorsteps
and chat in their living rooms
until we’re full and at peace.
Sometimes this takes a few slices,
sometimes it just takes the sight of pie.
I don’t like leaving a place with more enemies
than I started with,
but I have been shocked how easy it is to do.
Pie fixes most things,
but sometimes we lick the tin clean and don’t resolve
our disagreement.
Those days,
I drive home,
bake cookies, scones, and baklava,
and try again.

On Ducks by Amalia Neff

my dear,
shoot this damn duck right outta the sky—
who gives a flying fuck?
pluck its pearly white feathers
of innocent childhood love,
wring its meek neck.
kiss its frigid lips,
what game!
divide up its mealy meat—
and save it for the long cold winter months,
when you miss the fleeting warmth
of its tender skin,
the dying light in its eyes—
oh dear,
when’d you start hunting for sport?